P60

Chinese Calligraphy Workshop & 8-Week Course

Chinese Calligraphy Workshop & 8-Week Course image 1
29.08.2026 15:00

Program:

šŸ–Œ Introductory Workshop Beyond Language: Discover the Beauty of Chinese Calligraphy šŸ“… 29.08.2026 (Sat) šŸ•’ 15:00–17:00 šŸ’¶ €25 šŸ–Œ 8-Week Calligraphy Course šŸ“… Saturdays, from 05.09.2026 šŸ•’ 15:00–17:00 šŸ’¶ €240 per term (8 sessions) ✨ Trial session available €35 / single course āš ļø Only 5 new places available. šŸ“ P60 Culture Space Prinzenallee 60, 13359 Berlin šŸ‘‰ Registration link in @impression.taiwan Bio

Description:

āœļø Calligraphy Course Returns to P60 After a fully booked season, our 8-week Chinese Calligraphy Course is returning this September! Due to the course's popularity, we're opening only 5 new places for this term. Whether you're curious about calligraphy or looking to deepen your practice, this is an opportunity to explore one of East Asia's oldest art forms in a small, supportive group. ✨ New to calligraphy? Start with our Introductory Workshop — Beyond Language: Discover the Beauty of Chinese Calligraphy on 29 August. In this two-hour session, artist TSOU Yung-Shan will introduce the fundamentals of brush holding, strokes, and the relationship between movement, materials, and the beauty of Chinese calligraphy. No Chinese language or previous calligraphy experience is required — just curiosity. Following the workshop, the 8-week course begins on 5 September, offering a deeper exploration through weekly practice and individual guidance. Led by TSOU Yung-Shan, a Berlin-based Taiwanese artist whose practice combines contemporary art, handwriting, and bookmaking, this course offers a unique way to experience calligraphy beyond language — as an art of movement, observation, and expression. šŸ“© Registration is now open. With only 5 new spots available, we recommend reserving your place early.

Artist:

TSOU Yung-Shan TSOU Yung-Shan is a Berlin-based Taiwanese artist whose practice combines contemporary art, handwriting, calligraphy, and bookmaking. Her approach considers calligraphy beyond written language, exploring the relationship between the body, movement, materials, observation, and expression.